Jonah Hex was a DC comic franchise film, made in and around New Orleans. I was called in as a pinch hitter by a friend. The show’s climax was a battle between two ironclads, one in drydock on a bayou (called the Merrimack by the art department) and the other in the water. I helped on the drydocked ship and handled the floating one totally. The floating ironclad was a pint-sized version of the U.S.S. Monitor and was built on an oil company barge by a nautical construction firm. The whole thing had to fold for transport and the turret was added on location. I was still transitioning to digital design and I drew both vessels in part in pencil and in part digitally. Beyond that, I remember getting off the plane and my friends taking me to this bar on Bourbon Street. The next thing I remember was getting off the plane in L.A., two months later, with the worst hangover of my life. The rest is a blur.